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10 great South Korean action films | BFI

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South Korea’s dealings celluloid has mature at an new tempo in new decades, with the action genre at its fictive forefront. Following the local blockbuster success of Kang Je-kyu’s pioneering Shiri (1999), then the virtually expensive picture made in the country, modern genre directors like Kim Jee-woon and Ryoo Seung-wan have become internationally regarded auteurs, while actors so much as Won Bin and bell Yoo experience cemented their high status by craft roles that are as emotionally searing as they are physically taxing. The latest merchandise is Jung Byung-gil’s relentlessly provocative The Villainess, in which top assassin Sook-hee (a violent Kim Ok-bin) becomes a sleeper federal agent for South Korea’s intelligence agency.

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What's New - Koreanfilm.org

Kyu Hyun reviews two 2018 films starring Ryu Seong-ryong: Seven Years of Night, also starring Jang Dong-gun and supported on a bestselling mystery-thriller, and Psychokinesis, Yeon Sang-ho (Train to Busan)'s newest SF fantasy. Darcy reviews the acclaimed hit moving picture 1987: once the Day Comes (2017) and the low-budget nonsymbiotic debut The Running Actress (2017) by directors Jang Joon-hwan and light So-ri, respectively (who happen to be marital to to each one other). The 2018 page is up, with a new criticism by Darcy of the pleading elflike Forest (2018), and Kyu Hyun's review of the breakout low-budget horror film Gonjiam: preoccupied institution (2018), by lettering theatre director Jeong Beom-shik.

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